He also refused the materiality of steel, because he was letting his senses guide its formal definition. He wanted them to be stimulated by a soft, sensual shape that was pleasant to the touch, and a material that was warm, almost buttery. And finally, his aim was for the handle to be a mark, thanks to the use of colour
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— Jean Nouvel
These were the requirements that engendered the Chelsea.
It is modelled after the print of a hand gripping it, and made in soft, black rubber.
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